Your Own Worst Critic

Last week I briefly touched on the subject of your number one critic:  that is, there are billions of people in the world, and out of all of them you're the one who is the hardest on yourself.

I think that it is supremely important to be your number one critic.  Tell yourself that you need to rework that section or maybe even start from scratch.  But I also think that this can be taken in two extremes.

The first I haven't run into half as often as the second.  The first is where you think you're all that and a bag of chips.  You're so amazingly talented that there is nothing else to learn and that everyone should bow down and acknowledge that you are the supreme artist of the universe.

(Yes, I have met some people like this.)

The problem with not being hard enough on yourself is that your art doesn't progress. Problems aren't corrected and they become a habit.  Also, no one likes to hang around self-important people who can do no wrong, especially other artists (and we know from last week that a group of fellow artists are essential to have around).

Don't get me wrong, having the spunk and confidence can really help you out in your art career, but it must also be tempered with a thirst for knowledge and the attitude for improvement.

Now the other half of the spectrum; the second extreme.  This one is more common (at least in my experience), and I sometimes find myself veering towards it.  The habit of critiquing and tearing our art (and ourselves) down way more than we realistically have to or should.

With this attitude all of our work sucks and the moment we put pencil to paper we instantly hate what's coming out of it.  We look around in envy while our classmates or fellow artists are zipping through their piece and every bit of it looks perfect.  They have lines of people wanting commissions and they have time on the side to draw what they want.

This is a pit, a tar pit, and it's very hard to get out of.  There is a phrase that my teachers have always told me and it pops up whenever I'm having a difficult time with my art or learning something:  Whenever you are trying something new or are learning something for the first time there is a curve of learning (thanks teachers, I learned that in middle school). They would continue - if you are struggling with a technique or new medium you feel like you're bashing repeatedly against a wall. You don't feel like you're improving, in fact you feel as if you're going backwards, but something quite the opposite is happening.

You're not bashing into a wall, you're surmounting the arch, you're almost at the zenith and it's the most difficult part of the learning journey.  You've almost pulled yourself up on the next step.

This moment right here?  Is when you're actually learning the most.

Yeah, it never makes sense in the moment when the person you're painting suddenly has three eyes and is an interesting shade of green. It literally doesn't feel like you're learning or progressing anywhere.  Sometimes you just got to have faith that it's happening and when you look back you actually do see the distance, the moment when the switch flipped, ect.

Art is work.  Your family or friends might think you're playing around with coloring books all day or something, but in reality artists work as hard as any professional out there.  You just have to keep at it, have a desire to improve, and work past those walls.

Till next week -

Alisha

Community Support System

Hey, it's Alisha.  This week I wanted to talk about support systems for artists.

Now I don't want to brag . . . well, yes I do.  I'm going be talking about my club for a good majority of this post because I think they are a prime example of what I'm talking about. (Links to our blog and facebook page:  http://wedrawstuff.blogspot.com/     www.facebook.com/uvuillustrationclub?fref=ts)

Being an artist can be isolating.

It's not like there's artists right next door or all over the place at the grocery store.  "Normal" people don't quite understand your thought process or your view on things.  You're the weird, eccentric person they quickly pass by on the sidewalk.

Not only that, but you're also fighting your art.  You have to fight it into the right composition and shapes; if you don't keep an eye on it, it will wander off and become something completely off topic.  Plus rent is due in two days and you're a couple hundred dollars short and the neighbor next door won't stop blasting his dubstep.

So it's hard.  A community of artists will help.

Android Jones

2015 Ram

A group you can hang out with and commiserate with about crappy commissions and brushes that aren't working like they're suppose to (because it's all their fault).  People who share trade tricks and new techniques, who know exactly what it's like to live as an artist.

I think it's essential to foster a relationship with a group like this.  Otherwise everyday stuff is going to strangle and suck the life out of you.  Misery loves company, but company also helps to alleviate the misery.

So this is actually rather easy for me, since I'm going to school and am with my fellow artists more than my family.  Of course, during class there's not really much opportunity to socialize and commiserate.  That's where the Illustration Club comes in.

James Christensen

Sharing sketchbooks and advice. Making some awesome connections.

We get together once a week and do all sorts of things.  Workshops, drawing sessions, sometimes even just watching a movie and drawing in our sketchbooks.  The connections I've made have been invaluable.  Not only with my fellow students (who I know are going to be rockstar artists someday), but also meeting professional artists.

Jake Parker

Demo in Photoshop

The club tries to bring in at least one professional artist per semester and they do a day long workshop with us.  The knowledge is priceless, but it's also good to know that even professionals feel the same things I do while working on projects.

Howard Lyon showing how to paint from maquettes

I'd like to throw out a real-life example (no names, I promise):  I have a friend at school who is pretty hard on themselves, more than they needs to be really (I mean, we're all hard on ourselves, lets be perfectly honest).  We were learning digital art and neither of us had tablets or photoshop at home (well, I didn't).  It's hard to do assignments when you can only work on them during certain times in a week.

It was Christmas-time and you all know what that means: Finals.  So an already stressful school becomes even more stressful when you don't have the tools to do your finals.

This friend of mine got a surprise at school.  Someone had purchased a new tablet, still in the box, and had left it for my friend to find.  It was an absolute blessing and not something that happens very often.  The reason this happened to this person?

They had a support system.  I'm not saying I know exactly who got the gift for them, but it was definitely someone in that group of artists.  Someone who saw the struggle of their fellow artisan and decided to help out.

Artist help other artist (generally, there are some real twats out there too).

I really have not met another group of like people who are so giving of their secrets, resources, and time.  So start buddying up to fellow artists in your area.  You can usually find get-togethers in your area.  Even online groups could be just what you need.

Artists learning and supporting each other.

You're not alone, you're not isolated.  You have hundreds of others who are going through what you are; and they're more than willing to help.  Get that support system.

Till next week.

- Alisha

One of the Addictions

So for this week I wanted to touch on Personal Projects.

I'm going to take the advice given to me by Jake Parker (http://mrjakeparker.com/).  He did a workshop for my club last semester and it was amazing.  I don't know if he's talked about his Five Addictions of Successful Creatives on the web yet, but it's fantastic stuff (it might be on his youtube page:  https://www.youtube.com/user/jakeparker44).

One of the addictions is creating personal works or giving yourself personal projects.  The reasons why this is a good idea?

• It's a creative outlet
• Helps to focus on skills that need focusing
• Helps to figure out what you're good at
• Gets you exposure which leads to actually getting paid for stuff (imagine that)

So a couple months ago I decided that I needed to start a personal project.  Mainly all of the artwork that I've done has been for school assignments, and while my teachers are pretty fantastic and they can give out awesome homework (when they're feeling benevolent), the assignments are what they want us to do, not what I want me to do.

Now back to Jake.  Jake gave some guidelines for personal projects.  The first one is:

          Give yourself constraints: Give yourself a deadline, limit your style and subject, use one                                medium.

Now back to me.  My brother-in-law is creating an RPG and he wanted me to illustrate it (everyone knows that family is cheap labor).  I decided that this would be my first personal project since I don't really count this as an actual job.  That being said, I wasn't able to start until just recently (hooray, finals are over!)

So now I've started.

Just downloaded Painter and I'm ready to go!

The second guideline is giving yourself an Accountability Partner.  Someone (maybe even more than one) to keep you on task and remind you when you're self-imposed deadlines are coming up.

For me it's my sister and brother-in-law and myself.

The third guideline is making sure your personal project is actually worth it.  Is it going to bring in more business?  Will it help you overcome some technical problems you're having?  Or are you going to shove it in a corner of your closet and only bring it out on burning day?

It's more challenging than I thought, but it's still pretty awesome to be doing it.

And the fourth guideline (and in my opinion the most important) FINISH IT.  You started it, now you've got to finish it.  Don't let it mold away on your desk, you finish that puppy and show it to the world.

There's just something about doing what you want.  You don't have to worry about school, bosses, or whoever breathing down your neck telling you to redraw that landscape for the tenth time.  Personal Projects can be liberating . . . and they can also lead to some serious dough.

Till next week.

- Alisha

P.S. If you want to see my reference for this project check out my Pinterest page.  It's pretty awesome. www.pinterest.com/ajon3338/earthhewn-dwarf/

Hipster Grasshopper - Marker Demo

For this last weeks post I wanted to show the process on how I do my marker art.

So I just started trying out markers last semester and I'm not amazing at them just yet, but I also wanted to highlight a fellow artist.  Adam Munoa (http://www.adammunoaart.com/) is an amazing artist.  He just graduated from UVU in Illustration.  Before that he was a graphic designer and he did designs for the cars he worked on.  Now he does commission work for all sorts of all people and working on a couple movies that he wasn't allowed to talk about.

He was also the Illustration club president when I first started going to that stuff and I have learned a lot from this guy.  His marker work is phenomenal and I took his process and have been trying to make it my own.

So here it goes.

This is my bo staff fighting, fancy coffee drinking grasshopper.



I was a Bo fighting Grasshopper before it was cool.



 

Here he is in action:

 

And finally:



Hipster grasshopper spills his fancy coffee

I can pick out right away some of the mistakes with my markers.  They aren't evenly spread (how do you evenly spread makers you ask?) and I used too much white highlights.  So we're going to take one of these and go through my process.

 

First you draw it out and ink it.  I'm not very proficient at brush pens just yet, so I used an ordinary pen and I didn't do anything too fancy.

I then use my markers and color it in.  I have a set of Utrecht markers and I go them before they were bought out by Blick (I believe that they make them slightly different now).  To make markers lay down evenly you have to move fast before it dries, or give it a couple of layers.  I only used one layer for this, which is probably why it's all splotchy.

Right now it doesn't look like much, just shapes of solid color.

Sorry it's blurry; dumb, cheap phone camera.

Here's a close up after I've put in some shadow.  That gives it a much more dynamic look and makes the colors much more interesting and smooth.

After that I go over it in color pencil. I use prisma color pencils, they blend really nicely with the markers.  I try to add a little bit a subtly with color with the pencils.  So I had warms to my darks and cools to my lights (or sometimes vice versa when I feel like it) and I just really try to make the marker colors pop and sometimes reinforce hard edges or make hard edges soft.

After that I use a white gel pen to add in some small highlights (don't over use this (as seen from my above pictures I kind of went crazy on this)).

This is everything that I used and the finished piece.

If anyone has any comments or questions don't hesitate to write them.  If you have some suggestion on improving marker art even more, I will gladly listen.

Till next week -

- Alisha